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Particulars
of Christianity:
314
End Times Prophecy (Eschatology)
Revelation
Chronology: Section 2.04 Continued
Revelation
Chronology: Introduction
Revelation Chronology: Structure
in Revelation
Revelation Chronology: Sections
0.01-0.02
Revelation Chronology: Sections
1.01-2.03
Revelation Chronology: Section 2.04
Revelation Chronology: Section 2.04
Continued
Revelation Chronology: Sections
2.05-2.06
Revelation Chronology: Sections
2.07-2.08
Revelation Chronology: Sections
2.09-2.13
Revelation Chronology: Section
3.01
Revelation Chronology: Section
3.01 Continued
Revelation Chronology: Sections
3.02-3.04 and Conclusions
Revelation Renumbered
Genesis 1-2: Integrated Text,
Single Chronology
Revelation: Integrated Text,
Single Chronology
A Simple Chronological List
of the Events in Revelation
Addendum: Origins and Destinations
Additional Relevant Comments
We are about ready to close our analysis concerning the trumpets
in Revelation 8:6-9:21. However, before we move on, there
are two additional comments that should be made.
First, it is important to comment on the frequent mention
of fractions, such as "third part," in this passage. Second,
we will make some closing comments concerning the trumpets
and the bowls of wrath.
Concerning the first point, in the English, readers might
very easily read "the third part" and think it denotes a fractional
third of the human population. For example, with a human population
of 6 billion, some might interpret this to refer to 2 billion
persons. However, in the Greek, "the third part" can also
be taken to mean the third in a series rather than a fractional
third. This is most clearly seen when viewing verses 9 and
10 side by side.
Revelation 8:9 And the third part (5154) of
the creatures which were in the sea, and had life, died; and
the third part (5154) of the ships were destroyed.
10 And the third (5154) angel sounded, and there fell
a great star from heaven, burning as it were a lamp, and it
fell upon the third part (5154) of the rivers, and
upon the fountains of waters.
Notice that although the English has the phrase "third part,"
the Greek contains a single word, the Greek word "tritos"
(Strong's No. 5154), which simply means, "the third." In other
words, although the meaning is equivalent with or without
it, the word "part" does not appear in the underlying Greek.
But more importantly, notice that the exact same Greek word,
"tritos," which is used to discuss the creatures and ships
of the sea is also used in verse 10 to denote the third angel
in the series of seven angels with trumpets. Thus, even from
this side-by-side occurrence in the immediate context, we
can see that "tritos," or "the third part," is not meant to
denote 1/3 of a whole but instead denotes the third in a larger
series. In particular, concerning the trumpets, it is the
third of seven trumpets and has nothing to do with fractions
at all.
Likewise, the mention of "the third" throughout the trumpets
should be taken, not as a fraction, but in terms of a series.
To be more specific, we recall from our examination of chapter
7 that four corners or quadrants of the earth are in view
concerning the four angels known as the four winds or four
horsemen.
Revelation 7:1 And after these things I saw four angels
standing on the four (5064) corners (1137) of the earth,
holding the four winds of the earth, that the wind should
not blow on the earth, nor on the sea, nor on any tree.
In fact, as the Strong's numbers below show, the same phrasing
is used in chapter 20, where even in the English it is translated
into "the four quarters of the earth."
Revelation 20:8 And shall go out to deceive the nations
which are in the four (5064) quarters (1137) of the earth,
Gog and Magog, to gather them together to battle: the
number of whom is as the sand of the sea.
Furthermore, Revelation is quite clear in its depiction that
the authority given to these angels builds gradually. It builds
in two ways. It builds concerning the geographic area, or
quadrants, they are able to operate in. And it also builds
concerning what exactly they can do in an area, whether to
hurt or to kill.
We see the earliest stage of this unfolding authority in Revelation
7 itself where these four angels are not allowed to do anything,
not even to hurt, until the Jews are converted.
Revelation 7:1 And after these things I saw four angels
standing on the four corners of the earth, holding the
four winds of the earth, that the wind should not blow on
the earth, nor on the sea, nor on any tree. 2 And I saw
another angel ascending from the east, having the seal of
the living God: and he cried with a loud voice to the four
angels, to whom it was given to hurt the earth and the sea,
3 Saying, Hurt not the earth, neither the sea, nor the
trees, till we have sealed the servants of our God in their
foreheads.
The next stage is discussed in Revelation 6, where these four
angels are given authority to kill in the fourth quadrant
of the earth.
Revelation 6:2 And I saw, and behold a white horse:
and he that sat on him had a bow; and a crown was given
unto him: and he went forth conquering, and to conquer.
3 And when he had opened the second seal, I heard the
second beast say, Come and see. 4 And there went out another
horse that was red: and power was given to him that sat thereon
to take peace from the earth, and that they should kill one
another: and there was given unto him a great sword. 5
And when he had opened the third seal, I heard the third beast
say, Come and see. And I beheld, and lo a black horse;
and he that sat on him had a pair of balances in his hand.
6 And I heard a voice in the midst of the four beasts say,
A measure of wheat for a penny, and three measures of barley
for a penny; and see thou hurt not the oil and the wine. 7
And when he had opened the fourth seal, I heard the voice
of the fourth beast say, Come and see. 8 And I looked, and
behold a pale horse: and his name that sat on him was
Death, and Hell followed with him. And power was given
unto them over the fourth part (5067) of the earth, to kill
with sword, and with hunger, and with death, and with the
beasts of the earth.
Here verse 8 sums up that the killing that results from these
four angels, whether by sword or hunger, or even death directly,
at least at this time is given only over a fourth of the earth.
Once again, we note that the word "part" does not occur in
the Greek, but simply the word, "tetartos," (Strong's No.
5067), which simply means "the fourth."
So, initially, the four angels are not even allowed to hurt
the sea of mankind or any tree. Then, after Israel is converted,
they are permitted to kill in the fourth part, which stirs
up the sea of mankind leading to the rise of the last empire,
just as in Daniel 7 when the four winds stir up the rise of
kingdoms. Additionally, after the conversion of Israel, these
four angels are seen killing and hurting in the third part
accompanied by the falling away, as seen already in the first
four trumpets, in which the sea turns to blood and many men
die from the bitterness of wormwood in the waters.
However, their authority is also limited in terms of how
they kill. In chapter 6, we can see that they are allowed
to kill in the fourth quadrant by using the sword, hunger,
death, and the beasts of the field. Likewise, although they
are seen hurting the trees and the sea, even inducing killing,
in the first four trumpets, they are not allowed to kill by
means of the locusts specifically until the sixth trumpet.
Revelation 9:3 And there came out of the smoke locusts
upon the earth: and unto them was given power, as the
scorpions of the earth have power. 4 And it was commanded
them that they should not hurt the grass of the earth, neither
any green thing, neither any tree; but only those men
which have not the seal of God in their foreheads. 5 And
to them it was given that they should not kill them, but
that they should be tormented five months: and their torment
was as the torment of a scorpion, when he striketh a man.
6 And in those days shall men seek death, and shall not find
it; and shall desire to die, and death shall flee from them.
As we can see in verse 4 above, these locusts are restricted
to hurting, but not killing, those men who do not have the
seal of God. However, in the latter verses of chapter 9, after
the sixth trumpet, we see the four overarching angels using
this army of "locusts" to actually kill in the third part
of the earth.
Revelation 9:14 Saying to the sixth angel which
had the trumpet, Loose the four angels which are bound
in the great river Euphrates. 15 And the four angels were
loosed, which were prepared for an hour, and a day, and a
month, and a year, for to slay the third part of men. 16
And the number of the army of the horsemen were two hundred
thousand thousand: and I heard the number of them. 17 And
thus I saw the horses in the vision, and them that sat on
them, having breastplates of fire, and of jacinth, and brimstone:
and the heads of the horses were as the heads of lions; and
out of their mouths issued fire and smoke and brimstone. 18
By these three was the third part of men killed, by the
fire, and by the smoke, and by the brimstone, which issued
out of their mouths.
It is important to note that verse 18 explicitly states that
the killing mentioned in verse 15 is specifically the killing
by means of this army of "locusts," and not any or all killing
by any means. Thus, prior to this, these angels are allowed
to kill by other means in the third and the fourth quadrants,
as outlined in chapter 6 and the first four trumpets in chapter
8, but they are not allowed to use the "locusts" to do so
until the sixth trumpet. Furthermore, the first four trumpets
seem to largely deal with harm done to Christians and Jews,
which in turn affects the falling away, whereas the fifth
trumpet seems to pertain to the ungodly. This is indicated
by Revelation 9:4-5, which states, "And it was commanded them
that they should not hurt the grass of the earth, neither
any green thing, neither any tree; but only those men which
have not the seal of God in their foreheads."
Lastly, in Revelation 8:6, we find the statement, "the third
part of trees was burnt up, and all green grass was burnt
up." In this instance, the contrast between "third part" and
"all" does not necessitate a fractional proportion contrasted
to a whole. Instead, the passage is designating that the effect
of "burning up" is occurring to the trees in the third quadrant
and to the grass in all the quadrants. Assuming that the casting
down of the adversaries in the third quadrant is detrimental
enough to affect those in the third quadrant who are mature
and deeply rooted, it is easy to imagine how such a powerful
event in one quadrant would affect those worldwide who are
immature and without roots.
In conclusion, we can see that not only is authority given
to these angels incrementally and gradually, but that the
references to "the third" or "the fourth" generally denote
geographic quadrants of the earth rather than fractional proportions
of the human population. Thus, the frequent references to
"the third" in the first four trumpets denotes the focus of
those events and effects in the third quadrant rather than
making any indication about the exact percentage of the population,
or even the proportion of individual Christians or Jews, that
are effected.
As we prepare to leave chapter 8:6-9:21, the second point
worth commenting on concerns the plagues of the trumpets in
contrast to the plagues of the bowls of wrath. In the pages
above, we have been establishing that although the physical
imagery in the seven trumpets might typically be interpreted
literally as physical plagues, instead this imagery is intended
figuratively to denote the fall of the satanic kingdom, the
rise of the empire of the antichrist, and the resulting great
falling away of many Christians.
However, given our assertions that these seemingly physical
plagues should instead be taken figuratively, the question
might arise as to whether or not we interpret any of the plagues
described in Revelation literally and physically? This would
pertain particularly to the bowls of wrath, as the other series
involving plagues. And additionally, after our figurative
interpretation of the plagues in the trumpets, how could we
take any plagues in Revelation literally and physically? On
what basis would we discriminate some as figurative and others,
such as the bowls of wrath, as literal and physical?
At this point, we should plainly state that we do consider
the plagues dispensed at the bowls of wrath to be actual,
physical events in contrast to the seven trumpets, which we
take to be figurative descriptions of the fall of the satanic
kingdom. The reasons for this are simple. First, as we have
stated from the beginning of this segment, one of the primary
indicators for interpreting the plagues of chapter 8:6-9:21
as figurative references to the fall of the satanic kingdom
is the plain fact that the theme of the passage is one of
seven trumpets. Seven trumpets is famously associated with
the fall of Jericho in the Old Testament, a city that opposed
the people of Israel as they were about to enter the Promised
Land. Thus, casting the entire passage in terms of seven trumpets
directly connects the events that follow to the fall of a
kingdom.
In contrast, the bowls of wrath do not start out with and
are not characterized by any theme that relates so clearly
to the fall of an opposing kingdom. Instead, the imagery of
the "bowls" relates directly to the Old Testament imagery
of the bowls that emptied their oil into a candlestick to
produce light.
First, the Greek word for bowl, or vial, of wrath in Revelation
is "phiale."
Revelation 15:6 And the seven angels came out of the
temple, having the seven plagues, clothed in pure and white
linen, and having their breasts girded with golden girdles.
7 And one of the four beasts gave unto the seven angels seven
golden vials (5357) full of the wrath of God, who liveth
for ever and ever.
The word "phiale" (Strong's No. 5357) simply means, "a broad
shallow bowl, deep saucer." Notice also that these bowls or
saucers are described as being gold. This directly relates
to the book of Exodus 25:31-37 and 37:17-22 where we find
the creation of a seven-branched candlestick, whose ornaments,
including its bowls, are all made of gold. The purpose of
the bowls was to hold the oil so that the seven lamps of the
candlestick could burn and give their light. In Leviticus
4:1-4 and Numbers 8:2-4, God commands that oil is to be put
into the seven lamps of the candlestick continually as a sign
for Israel.
Concerning the relationship of the candlestick to the bowls
of oil, Smith's Bible Dictionary has the following
to say.
"Candlestick - It was not strictly a 'candlestick,'
as it held seven richly-adorned lamps…From the Arch
of Titus, where are sculptured the spoils taken from Jerusalem,
we learn that it consisted of a central stem, with six
branches, three on each side. It was about five feet high…Each
lamp was supplied with cotton and about two wineglasses of
the purest olive oil, which was sufficient to keep it
burning during a long night…In the temple of Zerubbabel there
was again a single candlestick. 1 Macc. 1:21; 4:49." - Smith's
Bible Dictionary, page 105
As we can see, each of the seven lamps was provided with oil.
This oil was provided by the accompanying bowls or saucers,
which were also made of gold, just like the seven vials of
wrath in Revelation 15 and 16.
And notice also that Revelation 15 connects the bowls of oil
to the plagues of wrath.
Revelation 15:6 And the seven angels came out of the
temple, having the seven plagues, clothed in pure and
white linen, and having their breasts girded with golden girdles.
7 And one of the four beasts gave unto the seven angels seven
golden vials (5357) full of the wrath of God, who liveth
for ever and ever.
This imagery of seven bowls of oil connects to the two witnesses
who are described in both Revelation 11 and Zechariah 4 as
the two olive trees.
Revelation 11:3 And I will give power unto my two
witnesses, and they shall prophesy a thousand two hundred
and threescore days, clothed in sackcloth. 4 These are the
two olive trees, and the two candlesticks standing before
the God of the earth.
Zechariah 4:1 And the angel that talked with me came
again, and waked me, as a man that is wakened out of his sleep,
2 And said unto me, What seest thou? And I said, I have
looked, and behold a candlestick all of gold, with a bowl
upon the top of it, and his seven lamps thereon, and seven
pipes to the seven lamps, which are upon the top thereof:
3 And two olive trees by it, one upon the right side of
the bowl, and the other upon the left side thereof…12
And I answered again, and said unto him, What be these
two olive branches which through the two golden pipes empty
the golden oil out of themselves? 13 And he answered me
and said, Knowest thou not what these be? And I said, No,
my lord. 14 Then said he, These are the two anointed ones,
that stand by the Lord of the whole earth.
It is important to clarify what is being described in Zechariah
4, since this provides the precedent for the imagery used
in Revelation.
First, the term "two witnesses" is a title for an office.
In Zechariah's day, that office was held by Zerubbabel and
by the High Priest Joshua, who were the two men that were
instrumental in leading the people of Israel. In Revelation,
this role is held by two other men. Thus, Zechariah is not
discussing or prophesying about the specific two men that
will hold this office in the last days before the return of
Christ. Instead, Zechariah is discussing that office in order
to communicate something about the two men who old held the
office in his day, namely Zerubbabel and Joshua. Nevertheless,
since Zechariah is describing the office that will later be
held by two men in the end times, Zechariah's description
here serves as the definitive precedent for the office
of the two witnesses, no matter who holds that office.
Second, in Zechariah's vision we note the following items
are arranged in the following manner. There are two olive
trees. These olive trees have two pipes through which they
empty their oil, which makes sense since the chief use for
olive trees was that they produced olives for oil. These two
olive trees are also specifically described as being beside
the bowl. The bowl is then said to empty oil through seven
pipes into a candlestick with seven lamps on it. Rather than
thinking the olive trees empty their oil into an unidentified
location while the bowl empties its oil into the seven lamps,
the designation that the two olive trees stand beside the
bowl and each have a pipe of their own indicates that the
oil from the olive trees is being emptied through their two
pipes into the bowl from which that same oil then empties
into the seven lamps through seven other pipes.
Thus, in this scenario, the two olive trees are the source
of the oil for the rest of the imagery, including the seven
lamps. In turn, these two trees receive their oil from God,
which is indicated by verse 14's statement that they are "the
two anointed ones, that stand by the Lord." The concept of
these two men being "anointed" indicates that God has put
oil upon or in them. Thus, God is the ultimate source of the
oil.
Third, it is important to identify the relationship between
the two olive trees and the seven angels who hold the seven
golden bowls of wrath. It is clear that the single candlestick
in Zechariah 4 is a Jewish menorah, which is the seven-branched
candlestick described in Exodus 25:31-37, 37:17-22 and Smith's
Bible Dictionary above. This seven-branched candlestick
had seven lamps on it and, as Smith's Bible Dictionary
denotes, "Each lamp was supplied with cotton and about two
wineglasses of the purest olive oil." Exodus 25:31-37, 37:17-22
also indicates that each branch has its own bowl, including
four additional bowls on the main shaft, three to act as auxiliary
feeds for each of three branches and presumably one for the
seventh lamp in the center. Thus, as Smith's Bible Dictionary
indicates, each of the seven lamps had its own bowl, which
provided its own supply of oil to fuel the light.
Revelation 4:5 is clear that the seven lamps, or lights, are
the seven angels that stand before the Lord.
Revelation 4:5 And out of the throne proceeded lightnings
and thunderings and voices: and there were seven lamps
of fire burning before the throne, which are the seven Spirits
of God.
Revelation 5:6 goes on to inform us that these seven spirits,
or angels, go to and fro throughout the earth.
Revelation 5:6 And I beheld, and, lo, in the midst
of the throne and of the four beasts, and in the midst of
the elders, stood a Lamb as it had been slain, having seven
horns and seven eyes, which are the seven Spirits of God
sent forth into all the earth.
These same seven angels, which are represented as seven lamps
and go to and fro throughout the earth, are mentioned specifically
in Zechariah 4.
Zechariah 3:9 For behold the stone that I have laid
before Joshua; upon one stone shall be seven eyes…4:2
And said unto me, What seest thou? And I said, I have looked,
and behold a candlestick all of gold, with a bowl upon the
top of it, and his seven lamps thereon, and seven pipes
to the seven lamps, which are upon the top thereof…10 For
who hath despised the day of small things? for they shall
rejoice, and shall see the plummet in the hand of Zerubbabel
with those seven; they are the eyes of the LORD, which run
to and fro through the whole earth.
Thus, the seven angels with the seven bowls in Revelation
are the same seven angels who are watching and working in
conjunction with Zerubbabel and Joshua, who filled the office
of the two witnesses, or two olive trees, in Zechariah's day.
Consequently, this imagery in both Zechariah and Revelation
describes a direct relationship between the two witnesses
and the seven angels, who in Revelation dispense the seven
golden bowls of wrath. In particular, as Zechariah 4 depicts,
the two witnesses are olive trees, who receive oil from God
and who dispense that oil into a bowl, which then filters
through seven pipes into the seven bowls of the seven lamps,
which represent the seven angels. Or, in other words, two
men are anointed by God and watched by seven angels. Those
two men receive oil from God, which the angels then dispense,
providing light, and showing God strong on behalf of these
two men, just as 2 Chronicles 16:9 states.
2 Chronicles 16:9 For the eyes of the LORD run to
and fro throughout the whole earth, to shew himself
strong in the behalf of them whose heart is perfect toward
him…
Incidentally, the seven-branched candlestick itself represents
God's people collectively. In the Old Testament, as in the
book of Zechariah, this referred to the faithful people of
Israel, whose work of rebuilding the temple was fueled by
Zerubbabel and Joshua and was watched over by the seven angels,
or seven lamps, who provided light and aid to complete the
task. Likewise, in the New Testament, the seven-branched candlestick
itself refers collectively to the church, as can be seen in
Revelation 1:20.
Revelation 1:20 …and the seven candlesticks which
thou sawest are the seven churches.
Like the imagery of trumpets informs us that the events in
Revelation 8:6-9:21 should be understood to describe the fall
of an opposing kingdom, the imagery of bowls informs us that
the events in Revelation 15-16 should be understood to convey
the idea of plagues dispensed by the two olive trees
of Revelation 11, providing light and testimony to mankind.
In addition, this imagery of plagues dispensed by two men
also connects directly to Moses and Aaron, precursors of the
two witnesses, who likewise dispensed actual, physical plagues.
In addition, Elijah, who is also a precursor to the two witnesses,
dispensed a physical draught, which is listed in Revelation
11 as one of the plagues that the two witnesses dispense.
Thus, it is no surprise that when describing these two olive
trees, from whom the oil flows, Revelation 11 informs us that
they dispense the plagues.
Revelation 11:3 And I will give power unto my two
witnesses, and they shall prophesy a thousand two hundred
and threescore days, clothed in sackcloth. 4 These are
the two olive trees, and the two candlesticks standing
before the God of the earth. 5 And if any man will hurt them,
fire proceedeth out of their mouth, and devoureth their enemies:
and if any man will hurt them, he must in this manner be killed.
6 These have power to shut heaven, that it rain not in
the days of their prophecy: and have power over waters
to turn them to blood, and to smite the earth with all plagues,
as often as they will.
In conclusion, the reason the plagues of the bowls of wrath
are interpreted to be actual, physical plagues is simply that
the very idea of bowls as plagues relates directly to the
idea of the two witnesses, like Moses and Aaron or Moses and
Elijah, actually dispensing physical plagues. This is in direct
contrast to the imagery of seven trumpets, which speaks not
of physical plagues, but of the fall of a kingdom, in this
case, the satanic kingdom.
Status of the 8 Conceptual Threads
The last item to cover before we move on to the next Parallel
Description is the current status of our eight conceptual
threads after this Long Series in chapter 8:6-9:21.
Here again for reference is our list of the 8 overarching
conceptual threads in Revelation.
1. The angel's appearing to John for the transmission
of the Revelation to God's servants
2. The transmission of the Revelation from the Father
to Jesus
3. The ministry of the 2 witnesses (including the Temple's
building) and plagues
4. The conversion of National Israel (including the
Temple's building), her purging & protection
5. The fall of the Satanic Kingdom and the subsequent
falling away in the Church
6. The rise of the last empire and the antichrist
7. The battle of Armageddon and the return of Christ
8. Millennial reign of Christ and the final judgment
Our previous four sections, including a Long Series
in chapter 1:1-6:17, 8:1, an Expansion in chapter 10:1-11:13,
a Parallel Description in chapter 7, and a Short
Series in chapter 8:2-5, provided some important skeletal
structure for the chronological relationship of certain key
events as well as some detail concerning roughly 3 ½ of these
eight conceptual threads. Specifically, previous sections
have provided somewhat longer descriptions concerning numbers
1, 2, 6, and somewhat shorter references to events surrounding
numbers 3, 4, and 7. This left a lot of room for the remaining
Parallel Descriptions to fill in the connections and
details concerning numbers 3, 4, 5, 7, and 8.
At last, here in this second Long Series of the book
of Revelation, we are beginning to get detailed descriptions
concerning a few of these remaining conceptual threads. Specifically,
the sequence of seven trumpets in Revelation 8:6-9:21 has
focused in on the fall of the satanic kingdom and the subsequent
falling away of the church as well as including the release
of the angelic king over the abyss. In addition, as our article
entitled, "Prophetic Symbols:
Revelation 17 (Part 2)" explains, this angelic king is
the spirit who possesses the human antichrist and rules over
the final Gentile empire, persecuting the saints in the last
days. So, this passage in Revelation 8 and 9 also provides
important details concerning the rise of the antichrist and
how that rise is related to the release from the abyss of
this angelic king. And this information provides an explanatory
connection for Revelation 13 and 17, which discusses the rise
of this last empire and the antichrist himself.
Nevertheless, despite the immense amount of detail concerning
numbers 5 and 6, there is still room for the remaining Parallel
Descriptions to provide details concerning numbers 3,
4, and 8 as well as any additional connections to the rest
of the eight conceptual threads.
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